Cache down a RED RAW file, for example, into an HD ProRes clip, and then your Timeline will playback faster. Now, another common way of speeding up your playback is to use source caching or render Cache. It downsamples your Timeline, so things like color page effects and complex color grades play in real-time, but it doesn’t create low-resolution proxy media. There’s always been a Proxy mode of half or quarter resolution. The first thing you might think is, well, Resolve already has Proxy right in the Playback menu>Timeline Proxy Mode. So I’m going to walk you through generating Proxies, Linking Proxies, using Proxies, and Sharing Proxies in Davinci Resolve to help speed up your workflow when you might not be able to use full-resolution media. And the new Proxy toolset is flexible and addresses a lot of these concerns, but there are a lot of details you need to understand and get right.
Now, Resolve has had various methods of using Proxies, either via the Playback menu you or via Optimized Media or source caching or Render caching.īut none of those solutions encompassed all of the reasons why you might use proxy media. Why use this Proxy Workflow on Davinci Resolve? in this article, I will talk about the Proxy Workflow on Davinci Resolve.
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